SA4QE - The Slickman A4 Quotation Event
One assumes that the world simply is and is and is but it isn't, it is like music that we hear a moment at a time and put together in our heads. But this music, unlike other music, cannot be performed again.
Dr Mzumi made another note in Klein’s folder. ‘A CT brain scan and a carotid angiogram might be a good idea. They’ll send you an appointment.’
‘Thank you. One day you’ll be old and pissing in two streams too. Sorry. Bye-bye.’
That trains mostly stay on rails, that the streets are mostly peaceful, that the square continues green and quiet below my window is more than I have any right to expect, and it happens every day.
"Every night the departure softly closes the door of the house behind it and puts its foot to the dark road; there is a continual walking into the the dark on the road away. Other nights I have lain in my bed; tonight I hear my footsteps on the road, tonight I put my feet into my footsteps and I go."
“It is a strange and frightening thing to be a human being, to partake of the mystery and madness of human consciousness.”
"He was delighted to find that he did not love Gretel for any reason that he might have thought good in the past. Not for intelligence or accomplishments. Not for anything that she did. He loved her simply because she was. What a thing, thought Jachin-Boaz. Love without a purpose."
The lamps on Putney Bridge were still lit, the bridge stood in simple astonishment over the water, a stoneline creature of overness, of parapets and ghostly pale cool tones of blue, of grey, of dim whiteness in the foredawn with its lamps lit against a sky growing light. Far below lay the river; slack-water it was, turn of the tide, the low-tide river narrow between expanses of mud, the moored boats rocking in the stillness... There seemed to be a question in the air.
‘Yes,’ I said, ‘I will.’
I have a Friend's card; I like the way they nod me through when I show it: I'm not a stranger. I always feel good in museums. I like the high ceilings and the acoustics, the footsteps and the voices, the silence over and under the footsteps and voices and the individual silences of each thing, all of them different, all of them holding a long-departed Now.
