SA4QE - The Slickman A4 Quotation Event

This fan event began in 2002 as a unique way of spreading the words of Russell Hoban. Every 4th February (Russell's birthday), readers around the world write their favourite quotations from his books on sheets of yellow A4 paper (the sort he used) and leave them in public places, and/or share them on social media with the hashtags #sa4qe and #russellhoban. Contributed photos and commentary were posted from 2002 to 2012 on the SA4QE site and then following this site's launch in 2012 new posts were uploaded here until 2022. This site no longer includes new contributions, but fans are welcome to continue celebrating! If you need a single sheet of yellow A4 and have enough yellow ink in your printer you can download this PDF. Below are some random quotations shared in previous years.

Ah! said the walls, listening to the footfalls, it’s the silence that we like, the lovely shape of the silence between the shape of the footfalls.

'For years I have signed and measured and located this point and that point on the face of the earth,' said the surveyor, 'and I have gone back to the same places to find my stakes pulled out as boundaries waver and lose accuracy. I sight and I measure and I plant the stakes again, knowing that they will be pulled out again. It is not only stakes and boundaries that are lost - this is what there is to know about maps, and I tell you what I have paid years to learn: everything that is found is always lost again, and nothing that is found is ever lost again. Can you understand that? You're still a boy, so maybe you can't. Can you understand that?'

The black man turned and looked at me. "Tortuguero," he said. He said it like a password but made no secret sign. He said it because he needed to say the name aloud just there and then to me. I nodded, felt dizzy.... How did he know that I knew where Tortuguero was? I shall never see the picture.

As we ate and drank it seemed to both of us that the evening was shaping nicely. I couldn’t remember a time when I had drawn so well or felt so good; I wondered if I’d ever draw that well and feel that good again. Happiness can be unsettling, like catching a baby that someone has thrown out of a window.

“Hear the earth say itself, ponderous with evening, turning to the night.”

I have a Friend's card; I like the way they nod me through when I show it: I'm not a stranger.  I always feel good in museums.  I like the high ceilings and the acoustics, the footsteps and the voices, the silence over and under the footsteps and voices and the individual silences of each thing, all of them different, all of them holding a long-departed Now.

'Alone and blind and endlessly voyaging I think constantly of fidelity. Fidelity is a matter of perception; nobody is unfaithful to the sea or to mountains or to death: once recognized they fill the heart. In love or in terror or in loathing one responds to them with the true self; fidelity is not an act of the will: the soul is compelled by recognitions. Anyone who loves, anyone who perceives the other person fully can only be faithful, can never be unfaithful to the sea and the mountains and the death in that person, so pitiful and heroic is it to be a human being.'

"Every night the departure softly closes the door of the house behind it and puts its foot to the dark road; there is a continual walking into the the dark on the road away. Other nights I have lain in my bed; tonight I hear my footsteps on the road, tonight I put my feet into my footsteps and I go."

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