SA4QE - The Slickman A4 Quotation Event

This fan event began in 2002 as a unique way of spreading the words of Russell Hoban. Every 4th February (Russell's birthday), readers around the world write their favourite quotations from his books on sheets of yellow A4 paper (the sort he used) and leave them in public places, and/or share them on social media with the hashtags #sa4qe and #russellhoban. Contributed photos and commentary were posted from 2002 to 2012 on the SA4QE site and then following this site's launch in 2012 new posts were uploaded here until 2022. This site no longer includes new contributions, but fans are welcome to continue celebrating! If you need a single sheet of yellow A4 and have enough yellow ink in your printer you can download this PDF. Below are some random quotations shared in previous years.

The people who run the world now were children once. What went wrong? Why do perfectly good children become rotten grown-ups?

“My mind is subject to fits of strangeness; this morning coming to work I looked out of the bus window at people talking, crossing the road, running to catch the bus and I thought, all this is really only Death dressing himself up as people talking, crossing the road, running to catch the bus.  Ought a doctor to see things in that way?”

Lines from ‘Come Dance With Me’ by Russell Hoban, writer, 1925-2011

Everyone lives a life that is seen and a life that is unseen. Our dreams are part of our unseen life. We often forget our own dreams and we have no idea whatever of the dreams of others: last night the person next to you in the underground may have ridden naked on a lion or travelled under the sea to the lost city of Atlantis. Along with the dream life there is the life of ideas and half-ideas, of glimmerings and flashes and indescribable atmospheres of the mind. What we actually do in what is called the real world depends largely on how we live this unseen life in our inner world of words and images, songs and bits of poems, names and numbers and memories and dreams remembered and unremembered...

“Tell me about the strangeness.”
“I don’t know if I have any words for it. Underneath every thing there is strangeness, there is silence. You are that strangeness and silence in the shape of a bird.”
“Yes,” said Ulpika. “That is what I am. But does anybody want strangeness and silence any more?”

Manny Rat's housewarming was a great success. He had invited the cream of rat society, and all of them attended, twittering and squeaking with high spirits as they climbed the string ladder to the dolls' house. Grizzled old fighters and their plump, respectable wives touched whiskers with gentleman rats grown sleek by cunning and lithe young beauties of vaguely theatrical connection. Debutante rats and dashing young rats-about-town, all the golden youth of the dump, arrived in little laughing groups that achieved the effect of brilliance even in the dark, while doddering dowager rats came escorted by gaunt artistic rats with matted fur, burning eyes, and enormous appetites. Last up the ladder were a scattering of selected social climbers, followed by various hired bravos, obscure ruffians, and cheap hustlers whose good will was worth cultivating.

I knew that my time was coming soon, I knew that I must be alert to recognize the time and place so that my death might be the best possible. But even as that thought moved through my mind it was hurried on its way by another thought coming behind it. This second thought asked whether it might not be only vanity and a striving after wind to want so much for one’s death; whether it might not be better to require nothing whatever of it or for it but simply to welcome it whenever and however it might come, to welcome it as one welcomes the stranger to whom one must always show hospitality.

With that feeling came an understanding that from then on every moment would be – indeed always had been – as the last moment. This wants to be made perfectly clear, it may be the only thing I have to say that matters; this idea has for me both the brilliance of the heart of the diamond of the universe and the inverse brilliance of the heart of the blackness in which that diamond lives: this moment that is every moment is always the last moment and it came into being with the first moment; it is that moment of creation in which there comes into being the possibility of all things and the end of all things; it is the blossoming jewel at the heart of the explosion, the calm quiet dawn at the centre of the bursting.

London City

I have London, London, London –
all the city, small and pretty,
in a dome that’s on my desk, a little dome.
I have Nelson on his column
and Saint Martin-in-the-Fields
and I have the National Gallery
and two trees,
and that’s what London is – the five of these.

I can make it snow in London
when I shake the sky of London;
I can hold the little city small and pretty in my hand;
then the weather’s fair in London,
in Trafalgar Square in London,
when I put my city down and let it stand.

Fidelity is a matter of perception; nobody is unfaithful to the sea or to mountains or to death: once recognized they fill the heart. In love or in terror or in loathing one responds to them with the true self; fidelity is not an act of the will: the soul is compelled by recognitions. Anyone who loves, anyone who perceives the other person fully can only be faithful, can never be unfaithful to the sea and the mountains and the death in that person, so pitiful and heroic is it to be a human being.

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