SA4QE - The Slickman A4 Quotation Event

This fan event began in 2002 as a unique way of spreading the words of Russell Hoban. Every 4th February (Russell's birthday), readers around the world write their favourite quotations from his books on sheets of yellow A4 paper (the sort he used) and leave them in public places, and/or share them on social media with the hashtags #sa4qe and #russellhoban. Contributed photos and commentary were posted from 2002 to 2012 on the SA4QE site and then following this site's launch in 2012 new posts were uploaded here until 2022. This site no longer includes new contributions, but fans are welcome to continue celebrating! If you need a single sheet of yellow A4 and have enough yellow ink in your printer you can download this PDF. Below are some random quotations shared in previous years.

Sometimes in the small hours of the morning, while [X] sleeps peacefully beside me, I sit up in the dark, feeling myself and the world moving from the known to the unknown...

“In the storm a safe place, a calm and wild place.  Oh the great secret.  The forever-moment that has always been and will always be, the centre to which the universe configures itself.  The magic place, the good blackness.  The dancing of the heat on the infinite sands, the pyramids, the ziggurats, the lightning and the sphinxes of it, the pleasant palaces and rainbows.  Now the satyrs are quiet and full-fed, now they sleep while the wild dogs howl.  Broken is the great vessel of the alone, the aloneness is all spilt out.  Broken the forty jars of silence wherein I crouched like forty dead thieves.  Broken, broken, broken the solitary madness where the lizard-men ran silent on the ceiling of my mind.  How they screamed and wept, how they dropped and one by one burst on the stone of Yes.  The Yes of the death of the lizard-men.”

I woke up. There you are, I thought; life goes on.

What passes for reality seems to me mostly a load of old nonsense invented by not very inventive minds. The reality that interests me is strange and flickering and haunting.

"What ben makes tracks for what wil be. Words in the air pirnt foot steps on the groun for us to put our feet in to. May be a nother 100 years and kids wil sing a rime of Riddley Walker and Abel Goodparley with ther circel game."

The trains were not crowded and none of the passengers were talking into little telephones or smiling as they tapped out text messages. Some were reading books or newspapers. All of the faces, young, old, male, female, white and brown and black, were part of the many faces of the great sad thing that moves itself from here to there and back again in all forms of transport.

'The world-child has been told that this is a world,' said the head [of Orpheus], 'and it believes it; it is the energy of this belief that binds the world together. The world-child holds in its mind the idea of every single thing: root and stone, tree and mountain, river and ocean and every living thing. The world-child holds in its mind the idea of woman and man, the idea of love.'

Ah! said the walls, listening to the footfalls, it’s the silence that we like, the lovely shape of the silence between the shape of the footfalls.

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