SA4QE - The Slickman A4 Quotation Event

This fan event began in 2002 as a unique way of spreading the words of Russell Hoban. Every 4th February (Russell's birthday), readers around the world write their favourite quotations from his books on sheets of yellow A4 paper (the sort he used) and leave them in public places, and/or share them on social media with the hashtags #sa4qe and #russellhoban. Contributed photos and commentary were posted from 2002 to 2012 on the SA4QE site and then following this site's launch in 2012 new posts were uploaded here until 2022. This site no longer includes new contributions, but fans are welcome to continue celebrating! If you need a single sheet of yellow A4 and have enough yellow ink in your printer you can download this PDF. Below are some random quotations shared in previous years.

There is a continual telling and asking going on, a continuous conversation that is trying to happen between everything around us and us. All of it is without words, much of it is silent. Listen, look, let it come to you—the turning of the earth away from Father Sun to Mother Night, the rolling of our cloud-wreathed planet in the vast deeps of space.

I don't know what I am now. A whispering out of the dust. Dried blood on a sword and the sword has crumbled into rust and the wind has blown the rust away but still I am, still I am of the world, still I have something to say, how could it be otherwise, nothing comes to an end, the action never stops, it only changes, the ringing of the steel is sung in the stillness of the stone.

Ah! said the walls, listening to the footfalls, it’s the silence that we like, the lovely shape of the silence between the shape of the footfalls.

Manny Rat's housewarming was a great success. He had invited the cream of rat society, and all of them attended, twittering and squeaking with high spirits as they climbed the string ladder to the dolls' house. Grizzled old fighters and their plump, respectable wives touched whiskers with gentleman rats grown sleek by cunning and lithe young beauties of vaguely theatrical connection. Debutante rats and dashing young rats-about-town, all the golden youth of the dump, arrived in little laughing groups that achieved the effect of brilliance even in the dark, while doddering dowager rats came escorted by gaunt artistic rats with matted fur, burning eyes, and enormous appetites. Last up the ladder were a scattering of selected social climbers, followed by various hired bravos, obscure ruffians, and cheap hustlers whose good will was worth cultivating.

What passes for reality seems to me mostly a load of old nonsense invented by not very inventive minds. The reality that interests me is strange and flickering and haunting.

Shakespeare didn't invent Caliban; Caliban invented Shakespeare (and Sigmund Freud, and one or two others). Caliban is one of those hungry ideas, always looking for someone to word him into being so he can have another go and maybe win Miranda this time or next time. Caliban is a necessary idea. I can imagine The Tempest without Ferdinand but not without Caliban. 

     Page one?  I didn't think so.  Suddenly the idea of turning one's experience into a story seemed not only bizarre but perverted; the idea of such a thing as page one seemed at the very least a monstrous vanity.  Where was the beginning of anything, how could I draw a line through endless cause and effrect and say, 'Here is page one' ?  Well of course one was either a storyteller or one wasn't, and it looked as if I wasn't  - all I could do was describe phenomena as I experienced them. 

"Pas the sarvering gallack seas and flaming nebyul eye, 

Power us beyont the farthes reaches of the sky,

Thine the han what shapit the black

Guyd us there and guyd us back”.

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