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Submitted by Richard Cooper on 1 April, 2015 - 06:51
Link to all articles on the online version of Granta magazine by Russell Hoban. Subscribers only. Most pieces were later collected in The Moment under The Moment (1992); we have not been able to verify whether the Granta pieces differ from the Moment versions. Titles: Footplacers, London Transport Owls, Wincer-Boise; Mnemosyne, Teen Taals, and Tottenham Court Road; Fragments of a Lament for Thelonious Monk; Pan Lives; One Less Octopus at Paxos; A Conversation With The Head of Orpheus; The Boat Train (appears to be an extract or early draft of a chapter from The Medusa Frequency); The Man with the Dagger; The Devil’s Kitchen. Also an extract (likely chapter 1) from Riddley Walker.
I printed a dozen copies, leaving one on the southbound tube train that took me to Clapham Common, another on a park bench, and a couple more at a bus stop I walked past. A couple more I tucked into newspapers at cafes near my place of work, and another in a phone box - not that anyone much uses these nowadays, except for non-telephonic purposes. After work I left another on the train that took me back to Elephant and Castle - noting en route that the park bench copy was still there, although thumbed; left in situ I hope in a spirit of generosity rather than indifference.
Submitted by alastair bickley on 16 February, 2015 - 19:16
For the last few years I have put up quotes in my village for sa4qe on my own, so it was lovely to be able to do it this year with my boyfriend, Rik, whom I met through a conversation on Twitter about Hoban. We bonded through our mutual love of The Medusa Frequency in particular. I live next to a river and wanted my first quote - sellotaped to the local lifebuoy - to be one of Hoban's lyrical evocations of the natural world; this mix of lyricism and natural elements feels romantic too.
Submitted by Whimsylph on 5 February, 2015 - 17:48
I found this superb quote on the first page of the first book I opened at random yesterday. It is from the essay "Pan Lives" in THE MOMENT UNDER THE MOMENT. I pinned the yellow paper to a bulletin board of the Upper St Clair library. Everyone who goes in and out will see it today.
Submitted by Richard Cooper on 11 January, 2015 - 18:45
A transcription of a talk by Russell Hoban given to the 1970 Exeter conference on children's literature, published in the journal "Children's Literature in Education" (March 1971, Volume 2, Issue 1, pp 5-23). The first two pages are available free via the link; payment or an existing subscription is required to read the full article. Includes extracts from the incomplete/unpublished sequel to The Mouse and His Child, "The Return of Manny Rat". Some elements of the article are reminiscent of those from essays in "The Moment under The Moment". Hoban prefaces this piece "This article is dedicated to my friend, Harvey Cushman, who died in London in 1966."
Submitted by Richard Cooper on 7 May, 2014 - 12:32
Chris Bell considers an under-appreciated period in Russell Hoban's life and career - that of professional painter and illustrator. Contains several examples of his work.
4qating is 4weirdos. And I love it. On the 4th of February this year, I saw a band at an ex-Convent here in Melbourne: Kurt Vile and The Violators. Vile is from Landsdowne, Philadelphia, which is not the same as Russ' hometown of Lansdale, Philadelphia. On the night I thought it was, however, and so it felt great to 4qate at the gig. I think a few drunk hipsters made notes in their phones.
My 107 students in various classes are all reading Hoban this semester. I handed out these quotes to everyone, asking that they place them wherever they like here in San Diego. So I have no pictures but am quite sure the quotes were left in a wonderous assortment of places.
Both quotations were included on one sheet of paper with the following header:
Happy FEB. 4 Birthday, Russell Hoban!
Submitted by Richard Cooper on 8 February, 2014 - 07:39
I first became aware of the SA4QE in about 2005 from an article in The Guardian. At that time I was mainly housebound with chronic illness, and knew no one else who participated, so I did the event solitarily for several years, leaving sheets of (I have to admit non-yellow) paper around the local village green next to the river. Leaving Hoban’s quotes here felt playful and subversive, a fitting tribute to a quixotic writer.
Submitted by Whimsylph on 7 February, 2014 - 12:55